Theresa Williams–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

I work at home. Since all our children moved out, I have taken over half of the house. In one room I have an art desk.  In another room I have my computer and most of my books. And in still another, I have a big table where with a paper cutter, various staplers, more books, and a tall tool box where I keep my art papers and finished work.

What kind of materials do you use? What mediums do you work in?

Water and Copic proof markers, Copic markers, colored pencils, pastels, and gel pens, mostly.

What is your routine for art? Do you always sketch first?

Not always. For The Diary of Lea Knight, I sometimes draw images on paper and glue them on the journal pages. That way if the picture doesn’t turn out as well as I’d like, I can try again. I think of it like doing a collage. Sometimes if I feel confident, I draw directly on the journal pages.

How long have you been making art? When did you start making art?

Since I was a child. I ALWAYS wanted to be an artist first. I got an undergraduate degree in studio art at East Carolina University. When I graduated, though, I got two Master’s degrees in English and upon graduation taught English courses at the university level. I thought it was a more stable path financially. I didn’t draw for a long time. I came back to it about 7 years ago. My plan all along was to somehow combine art and writing.

Who is your intended, or ideal, audience? Who do you make art for?

I make it for myself first. I make the sort of thing I’d like to see or to buy.  I want to have fun with my art.  I trust that my concerns are universal enough that they will connect with others. My ideal audience would be people interested in the inner life of a character, not so much lots of action.

What inspires you to create? If you are blocked, what do you do?

I get curious about how a person would handle certain difficult situations. I’ve written a lot about death because I think that’s the hardest experience for people to come to terms with. So a lot of my work has to do with loss and dealing with loss. The Diary of Lea Knight, for example, is about a woman who lost a baby and is in a rocky marriage. Her diary is her way of coming to terms with hard times.  If I come to a standstill, I read whatever interests me. I have lots of books and am always buying more. I also have lots of art books and I look at them to get ideas about subject and composition. I rarely get blocked anymore, but I do come to a pause sometimes, and then I need to think about where to go next.

What other things do you do besides art? Do you dance or play golf, etc.?

I’m really mainly consumed with art and writing. I don’t do a lot of other activities. I teach nine months out of the year, and that takes a lot of time. So when summer comes, I just want to be creative. I don’t want distractions.

What is your favorite part of the creative process?

The surprise. Each day is an opportunity to explore something different. I don’t like to plan too far ahead with my work. I have a rough plan but work organically. For instance, Lea’s birthday diary entry was only supposed to be four pages or so, but the idea grew as I worked. It took me places I hadn’t planned to go. It was exhilarating.

What is your advice to aspiring artists?

Just to do it. Inspiration is overrated. Your ideas come from working. You discover as you go. Work with archetypes. Use what’s universal but discover the personal, too. To find your personal archetypes, you have to draw and sketch a lot of pictures; that’s the only way. Don’t emulate any certain style. Forget about being Leonardo Da Vinci or anyone else. Find your own style.

 

Check out Theresa’s work in Volume 4, Issue 2, and upcoming in Volume 5, Issue 1.

Theresa won The Magnolia Review Ink Award for “From the Diary of Lea Knight” in Volume 4, Issue 2. Check out the announcement here.

Volume 5, Issue 1 is Here!

The issue was published January 16, 2019. The sample is available here as a PDF to download.

The full PDF issue is available here from PayPal for $2, to help with funding contributor copies and mailing costs.

Volume 5, Issue 1 PDF

The full issue of The Magnolia Review, Volume 5, Issue 1.

$2.00

The optional theme is Lost and Found.

Contributors: Sudeep Adhikari, Charles Joseph Albert, Rey Armenteros, Jan Ball, Gary Beck, Susan P. Blevins, Michael K. Brantley, Judith Alexander Brice, Alexandra Brinkman, Frank De Canio, Aidan Coleman, Daniel de Culla, Lydia A. Cyrus, Nathan Dennis, Deborah H. Doolittle, Steven Goff, Dave Gregory, John Grey, Jack D. Harvey, Kevin Haslam, Michael Paul Hogan, Erica Michaels Hollander, Mark Hudson, Heikki Huotari, Nancy Byrne Iannucci, Jayant Kashyap, Wade McCullough, Don McLellan, Todd Mercer, Daniel Edward Moore, Donají Olmedo, Simon Perchik, Zachary A. Philips, Mari Posa, Eric Rasmussen, David Anthony Sam, J.B. Santillan, Marygrace Schumann, Sydnee Smailes, Ruben E. Smith, William L. Spencer, Penn Stewart, Lisa Stice, Ash Strange, Lee Triplett, Mitchell Waldman, Thomas Wattie, Richard Weaver, Theresa Williams, and Bill Wolak.

Reviews: Blunt Force by Gary Beck, The Remission of Order by Gary Beck, Overhead from Longing by Judith Alexander Brice, Bombing the Thinker by Darren C. Demaree, Lady, You Shot Me by Darren C. Demaree, Never One for Promises by Sarah A. Etlinger, An Absolutely Remarkable Thing by Hank Green, Mark the Dwarf by Jack D. Harvey, The Frayed Edge of Memory by James Croal Jackson, Mishigamaa by Robert Krantz, Firefly: Big Damn Hero by James Lovegrove, I Exist. Therefore I Am by Shirani Rajapakse, Final Inventory by David Anthony Sam, and Depression Hates a Moving Target: How Running With My Dog Brought Me Back From the Brink by Nita Sweeney.

Winner of The Magnolia Review Ink Award: Nathan Dennis, for “Meditations on Creation.” Selected by Aretha Lemon.

Winner of The Magnolia Review Ink Award for Volume 4, Issue 2

I would like to thank Suzanna for giving me this opportunity. She should be proud of this issue and all the strong voices that it captures. Some of my favorite pieces are “Turtle Bay” by Henry Hintz, “Punk 4 a Day” by Diane Hoffman, the poems of Holly Day, Chuck Thompson, GTimothy Gordon, and Sarah A. Etlinger. If it were not for my first choice, “Two Fools” by Sarah A. Etlinger would be my winner because to its tightness, sharpness, and grace of language.

 

However, I find the excerpt of Theresa WilliamsFrom The Diary of Lea Knight to be the undeniable centerpiece of this issue. In this excerpt, Williams balances a combined feeling of prose and poetry in her writing. Her line work is crisp when called for and chaotic when necessary. In the best way possible, the notebook presentation of Williams’ project brings to mind Lynda Barry’s Syllabus, while the dark, real philosophizing evokes Alison Bechdel’s Fun Home and Are You My Mother? The work also takes me to old folktales, like Cinderella, that showcase familial catastrophes by an unhinged parent onto an innocent child, and the ensuing existential crises people feel under the force of an oppressive thumb. I think this slice of From The Diary of Lea Knight is a fascinating piece of sequential art, and I cannot wait to see more of it once it is inevitably published.

 

 

 

Dom Fonce is an undergrad English major at Youngstown State University. He’s been published in fiction, poetry, comics, and journalism. Some of his work can be found at Calliope of the University of Mount Union, Penguin Review, the Jambar, and the forthcoming summer 2017 issue of 3Elements Review. Collaborated with Vincent Butka (penciller), Jared Burton (inker and colorist), and Kaleena Spackman (letterer).

Volume 4, Issue 2 is Here!

The issue is available as a PDF: TMR Volume 4 Issue 2.

The optional theme is comics, be it drawn in sequential images or just plain funny.

Contributors: Gershon Ben-Avraham, Susan P. Blevins, Mela Blust, Charles W. Brice, Aria Callaham, Joan Colby, Holly Day, Darren C. Demaree, Adam Durso, Kelcey Parker Ervick, Sarah A. Etlinger, GTimothy Gordon, John Grey, Jack D. Harvey, Aloura Hattendorf, Henry Hitz, Diane Hoffman, A.J. Huffman, Phil Huffy, James Croal Jackson, Lonnie James, Gloria DeVidas Kirchheimer, Matthew J. Kreglow, Claire Martin, Megan Miazgowicz, Jennifer Davis Michael, Paul Mills, TJ Neathery, Simon Perchik, Steven B. Rosenfeld, David Anthony Sam, William L. Spencer, David Spicer, Chuck Thompson, Dennis Trujillo, Bess Vanrenen, Maryfrances Wagner, Michael Whelan, Theresa Williams, and Kelsey Zimmerman.

Reviews: Hold Me Gorilla Monsoon by Colette Arrand, Auri by Auri, Internet Yearnings by Gary Beck, Mnemosyne’s Hand: Poems by Charles W. Brice, Her Secret Husband by Abbey Faith, The Future by From Ashes to NewBurn Site In Bloom by Jamie HoughtonRookland by Jesse Minkert, Beach Dweller Manifesto by Leah MuellerGhost Matter by Jade RamseyHeavenly Whispers by Roger SipplPermanent Change of Station by Lisa Stice, and i’m fine: A Haiku Collection About Mental Illness by Jamie Winters.

Winner of The Magnolia Review Ink Award: Theresa Williams, for “From The Diary of Lea Knight,” chosen by Dom Fonce.

Theresa Williams

Theresa Williams lives and teaches in Northwest Ohio. Her current project is a Sketchbook novel called The Diary of Lea Knight. It traces the inner life of Lea Knight, who has recently lost a baby. Theresa twice received Individual Excellence Grants from The Ohio Arts Council and has been published in numerous journals, including Gargoyle, Hunger Mountain, and The Sun.

From The Diary of Lea Knight, Volume 4, Issue 2
Winner of The Magnolia Review Ink Award, selected by Dom Fonce
The year is strangely quiet, Volume 5, Issue 1