The project did not reach the goal of $6,000 for printing two issues of The Magnolia Review. However, I am working on finalizing Plan B, and all of my backers will be the first to know about this new option. Thank you for your support of this crazy project and dream of mine. Someday there will be print issues of The Magnolia Review. This is just part of the journey toward that dream. Stay tuned for some better news, and Happy November!
Thank you to our 28 backers! We are 18% funded with 15 Days to Go! We’ve reached a THOUSAND DOLLARS! Five thousand more and we’ll reach our $6,000 goal to print two volumes of The Magnolia Review, Volume 4, Issue 1, and Volume 4, Issue 2. Thank you for every dollar of $1,108. Keep the pledges coming and keep spreading the word. Let’s make this dream happen.
We’ve pledged $763 of the $6,000 goal with 23 backers! Thank you for your support. With 20 days to go, let’s make physical copies of The Magnolia Review Volume 4 a reality. (Check out the Kickstarter here)
I have proofs from the printer for Volume 4, Issue 1.
Postcards have arrived for Volume 4, Issue 1, featuring Sandy Coomer’s Phoenix Rising.
I would like to thank Suzanna for giving me this opportunity. She should be proud of this issue and all the strong voices that it captures. Some of my favorite pieces are “Turtle Bay” by Henry Hintz, “Punk 4 a Day” by Diane Hoffman, the poems of Holly Day, Chuck Thompson, GTimothy Gordon, and Sarah A. Etlinger. If it were not for my first choice, “Two Fools” by Sarah A. Etlinger would be my winner because to its tightness, sharpness, and grace of language.
However, I find the excerpt of Theresa Williams’ From The Diary of Lea Knight to be the undeniable centerpiece of this issue. In this excerpt, Williams balances a combined feeling of prose and poetry in her writing. Her line work is crisp when called for and chaotic when necessary. In the best way possible, the notebook presentation of Williams’ project brings to mind Lynda Barry’s Syllabus, while the dark, real philosophizing evokes Alison Bechdel’s Fun Home and Are You My Mother? The work also takes me to old folktales, like Cinderella, that showcase familial catastrophes by an unhinged parent onto an innocent child, and the ensuing existential crises people feel under the force of an oppressive thumb. I think this slice of From The Diary of Lea Knight is a fascinating piece of sequential art, and I cannot wait to see more of it once it is inevitably published.
Dom Fonce is an undergrad English major at Youngstown State University. He’s been published in fiction, poetry, comics, and journalism. Some of his work can be found at Calliope of the University of Mount Union, Penguin Review, the Jambar, and the forthcoming summer 2017 issue of 3Elements Review. Collaborated with Vincent Butka (penciller), Jared Burton (inker and colorist), and Kaleena Spackman (letterer).