12% Funded! Printer Updates!

We’ve pledged $763 of the $6,000 goal with 23 backers! Thank you for your support. With 20 days to go, let’s make physical copies of The Magnolia Review Volume 4 a reality. (Check out the Kickstarter here)

I have proofs from the printer for Volume 4, Issue 1.

Proof from printer of Volume 4, Issue 1
Proof from printer of Volume 4, Issue 1

 

Proof of cover from printer of Volume 4, Issue 1
Proof of cover from printer of Volume 4, Issue 1

Postcards have arrived for Volume 4, Issue 1, featuring Sandy Coomer’s Phoenix Rising.

Postcards of Sandy Coomer's Phoenix Rising, from Volume 4, Issue 1
Postcards of Sandy Coomer’s Phoenix Rising, from Volume 4, Issue 1

Please spread the word and keep pledging!

Thank you!

Suzanna

Winner of The Magnolia Review Ink Award for Volume 4, Issue 2

I would like to thank Suzanna for giving me this opportunity. She should be proud of this issue and all the strong voices that it captures. Some of my favorite pieces are “Turtle Bay” by Henry Hintz, “Punk 4 a Day” by Diane Hoffman, the poems of Holly Day, Chuck Thompson, GTimothy Gordon, and Sarah A. Etlinger. If it were not for my first choice, “Two Fools” by Sarah A. Etlinger would be my winner because to its tightness, sharpness, and grace of language.

 

However, I find the excerpt of Theresa WilliamsFrom The Diary of Lea Knight to be the undeniable centerpiece of this issue. In this excerpt, Williams balances a combined feeling of prose and poetry in her writing. Her line work is crisp when called for and chaotic when necessary. In the best way possible, the notebook presentation of Williams’ project brings to mind Lynda Barry’s Syllabus, while the dark, real philosophizing evokes Alison Bechdel’s Fun Home and Are You My Mother? The work also takes me to old folktales, like Cinderella, that showcase familial catastrophes by an unhinged parent onto an innocent child, and the ensuing existential crises people feel under the force of an oppressive thumb. I think this slice of From The Diary of Lea Knight is a fascinating piece of sequential art, and I cannot wait to see more of it once it is inevitably published.

 

 

 

Dom Fonce is an undergrad English major at Youngstown State University. He’s been published in fiction, poetry, comics, and journalism. Some of his work can be found at Calliope of the University of Mount Union, Penguin Review, the Jambar, and the forthcoming summer 2017 issue of 3Elements Review. Collaborated with Vincent Butka (penciller), Jared Burton (inker and colorist), and Kaleena Spackman (letterer).

Volume 5, Issue 1 Theme

The issue will be available January 2019.

The optional theme is Lost and Found. See the Submit tab for details on how to submit. We accept photography, art, comics, creative nonfiction, fiction, flash fiction, experimental work, and poetry.

For poetry, I would love to see more Blackout and Cross out poems. For examples, check out these books: Newspaper Blackout by Austin Kleon, A Humument: A Treated Victorian Novel by Tom Phillips, The ms of m y kin by Janet Holmes, Bukowski Erasure Poetry Anthology: A Collection of Poems Based on the Writings of Charles Bukowski by Melanie Villines, A Little White Shadow by Mary Ruefle, Mornings Like This: Found Poems by Annie Dillard, Nets by Jen Bervin, and Of Lamb by Matthea Harvey. Please submit the original and the typed version. And for fiction, creative nonfiction, and art, photography, and comics, please interpret this theme how you will, or see if you can do something new and unique with this found poetry method.

Volume 4, Issue 2 is Here!

The issue is available as a PDF: TMR Volume 4 Issue 2.

The optional theme is comics, be it drawn in sequential images or just plain funny.

Contributors: Gershon Ben-Avraham, Susan P. Blevins, Mela Blust, Charles W. Brice, Aria Callaham, Joan Colby, Holly Day, Darren C. Demaree, Adam Durso, Kelcey Parker Ervick, Sarah A. Etlinger, GTimothy Gordon, John Grey, Jack D. Harvey, Aloura Hattendorf, Henry Hitz, Diane Hoffman, A.J. Huffman, Phil Huffy, James Croal Jackson, Lonnie James, Gloria DeVidas Kirchheimer, Matthew J. Kreglow, Claire Martin, Megan Miazgowicz, Jennifer Davis Michael, Paul Mills, TJ Neathery, Simon Perchik, Steven B. Rosenfeld, David Anthony Sam, William L. Spencer, David Spicer, Chuck Thompson, Dennis Trujillo, Bess Vanrenen, Maryfrances Wagner, Michael Whelan, Theresa Williams, and Kelsey Zimmerman.

Reviews: Hold Me Gorilla Monsoon by Colette Arrand, Auri by Auri, Internet Yearnings by Gary Beck, Mnemosyne’s Hand: Poems by Charles W. Brice, Her Secret Husband by Abbey Faith, The Future by From Ashes to NewBurn Site In Bloom by Jamie HoughtonRookland by Jesse Minkert, Beach Dweller Manifesto by Leah MuellerGhost Matter by Jade RamseyHeavenly Whispers by Roger SipplPermanent Change of Station by Lisa Stice, and i’m fine: A Haiku Collection About Mental Illness by Jamie Winters.

Winner of The Magnolia Review Ink Award: Theresa Williams, for “From The Diary of Lea Knight,” chosen by Dom Fonce.

Theresa Williams

Theresa Williams lives and teaches in Northwest Ohio. Her current project is a Sketchbook novel called The Diary of Lea Knight. It traces the inner life of Lea Knight, who has recently lost a baby. Theresa twice received Individual Excellence Grants from The Ohio Arts Council and has been published in numerous journals, including Gargoyle, Hunger Mountain, and The Sun.

From The Diary of Lea Knight, Volume 4, Issue 2
Winner of The Magnolia Review Ink Award, selected by Dom Fonce

Megan Miazgowicz

Megan Miazgowicz is a digital artist and illustrator, who recently graduated from Bowling Green State University with a BFA in Digital Art. Megan enjoys both digital painting and creating comics, and hopes to someday publish her own graphic novels. She is currently developing a comic series with her best friend and hopes to begin work on it this fall. Outside of comics, she enjoys reading, writing, character design, sleeping, and hanging out with her dog.

A Boat, Volume 4, Issue 2

Lonnie James

Lonnie James attends BGSU for Film Production with a minor in Theater. James has been playing guitar for 17 years, and he is a touring musician. He now has a solo acoustic act under the stage name of Lonnie James, and he is currently in the process of writing the next screenplay and start filming over the summer. James’s film Temptation showed at the annual Ray Browne Film Festival, and the BGSU Film and Media Film Festival, and soon to be showing at the Glass City Film Festival on May 17th. His screenplay was chosen to be read at a live reading on October 2nd in the Donnell Theater at BGSU. James plans to make two films over the summer and graduate from BGSU next Spring.

The Depths of Darkness, Volume 4, Issue 2