Lonnie James–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

My favorite creative space is in my home at night after most of the world has long been in bed. I find that I’m most creative at night, so in my living room in between 1am and 4am seems to be the time and space when I feel most comfortable. Honestly, I think it’s the isolation. However, I have done a great deal of work in a studio setting within my college experience with 20 other people in a room where I just sort of have to phase everything and everyone out. I may be there in body but my mind has long gone.

What kind of materials do you use? What mediums do you work in?

My favorite materials to use are Pilot G-2 Pens and India Ink. I’ve also really started to enjoy the use of charcoal. So, I’m sort of all over the place because I think I’m still finding myself as an artist—but what is definitively clear is that dark colors, and lots of use of ink is a very distinctive characteristic that seems to be at the center of my style and/or chosen aesthetic.

What is your routine for art? Do you always sketch first?

My routine for art is to use it as a catalyst for expression when I’m unable to communicate my feelings orally…which seems to be often. I hold a lot of things in, and I suffer from various mental illnesses such as PTSD and Depression. When I’m having bad days, my art becomes my lifeline. It gives me a constructive way of dealing with the feelings and thoughts I’m experiencing.

How long have you been making art? When did you start making art?

I started when I was young and gave it up because of a lack of value in what I was doing. I didn’t think I was any good or that people would care about what I was doing, so I stopped. My professor at BGSU, named Theresa Williams, reminded me what being a real artist was about. It’s not about recognition, or money, it’s about self-expression, self-exploration, and honesty. So I started again recently in college because I started to realize that there is a whole world of people who are open minded enough to appreciate things that I can create.

Who is your intended, or ideal, audience? Who do you make art for?

My intended audience has really only been me up to this point. I never really thought that anyone else would care to see it much. I’ve gotten to a point in my journey as an artist that I feel it’s important to create my art for myself, and if others appreciate it, great, but my intentions for art are really just get my feelings out there in the only way I know how. It just took on this medium with the guidance of people much wiser than myself who showed me that I could do this to heal myself.

What inspires you to create? If you are blocked, what do you do?

My feelings are my biggest source of inspiration. Especially my sadness, and depression. I’ve come to the conclusion that I wouldn’t be who I am artistically without my sadness and depression. It’s sort of tragic to say in a way, but I’m thankful in some ways for having a hard life because I’ve survived, and now I have so much fuel to create things. It’s a double edged sword though, because it’s not easy struggling. If I’m feeling blocked I listen to music and watch films. They inspire me and make me feel things that make me want to create something.

What other things do you do besides art? Do you dance or play golf, etc.?

I’m a filmmaker, and a musician. I was in a Thrash Metal band for years, and then after that went south, I decided to go back to school for film. Now I have a real passion for creating films, and writing, as well as music. I’m also a big fan of video games. I don’t have as much time to play these days but I love to sit down and play a good Role Playing Game from time to time.

What is your favorite part of the creative process?

I think when I finish. (haha) Honestly the feeling I get when I’m done is such a relief and a sense of accomplishment that it has to be my favorite part. Other than finishing, my favorite is the moment your idea starts to really take shape. When you’re drawing and maybe at first you’re not really sure what you’re drawing, you’re just letting your hand free flow over the paper and then suddenly in the assortment and array of lines and shapes that you’ve created, you identify something coherent, and something that you didn’t think was possible. I love that “breaking ground on a new frontier” sort of feeling when I feel like I’m trekking into uncharted territory artistically. Every so often that happens, and I’m shocked at what I’ve accomplished.

What is your advice to aspiring artists?

I almost don’t feel qualified to give people advice. However, if I gave any advice at all, I’d say think outside of the box. Don’t always aspire to look exactly the way other people might do their work. I would also say don’t be afraid to really express yourself. Art isn’t always politically correct, and it’s not always about playing it safe. It’s ok not to stay within the lines, and it’s ok for something not to be perfect. Don’t allow the idea or aspiration of perfection lock you up like it has done to me. Just do something, anything. Put pen to paper. I highly suggest checking out Lynda Barry’s Syllabus because she comes up with some ways for anyone to make something even if you’re locked up and have creator’s block.

 

Check out Lonnie’s work in Volume 4, Issue 2.

Volume 5, Issue 2 Theme Announced!

The issue will be available July 2019.

The optional theme is Questions. See the Submit tab for details on how to submit. We accept photography, art, comics, creative nonfiction, fiction, flash fiction, experimental work, hybrid work, and poetry.

Diane Hoffman–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

I try to work in public spaces because I find at home to be too distracting. I also try to switch up the environment I work in because I find I tend to be more creative or just willing to write or draw whatever.

What kind of materials do you use? What mediums do you work in?

I like a fine tipped pen for making my lines, something like uniball. I recently have gotten into watercolor and marker more, but my go to tends to be colored pencil or just ink pens. I also love working with acrylic paint, but that’s not something I’ve ever used for comics.

What is your routine for art? Do you always sketch first?

I hate sketching first so I tend to nix that step if I think I can get away with it. For comics I tend to use one of those blue sketch pencils that won’t show the marks once the piece is scanned. But I hate sketching, I just want to draw something once and be done with it.

How long have you been making art? When did you start making art?

My mom grew up wanting to be an animator, so from a young age she has always pushed me to make art. I think around seven was when I started to actually care more about the art I was making. I started making comics around that age just for myself.

Who is your intended, or ideal, audience? Who do you make art for?

I try to make art for more of an older audience that likes to laugh or poke fun at things. I also just kind of make it for myself and what I think would be funny.

What inspires you to create? If you are blocked, what do you do?

Getting out of my comfort zone for sure helps me create more. Also being sad is usually when I’ve come up with some of my best ideas, although sadness and misery isn’t really ideal. If I’m blocked I usually take a long walk to clear my mind, and maybe settle down at a new location and start again.

What other things do you do besides art? Do you dance or play golf, etc.?

I’m a filmmaker, I like to direct, write, and edit. I’m also invested in the improv comedy scene. I’m moving to Manhattan in June, and I’m hoping to explore that scene more.

What is your favorite part of the creative process?

Being done! Having a thing to call my own!

I also like coming up with the idea, that part is kinda easy. I like making outlines and working out logistics when I’m writing fiction. It’s the executing part I’m not too fond of.

What is your advice to aspiring artists?

I’ve said it already, but get out of your comfort zone. Go somewhere new, try something new.

 

Check out Diane’s work in Volume 4, Issue 2.

Sandy Coomer–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

A few years ago, we expanded our kitchen to include a sitting area. We added lots of windows to two walls and the ceiling was elevated. I loved the light in that area, and the large free space above me. I decided to use one half of that sitting area for my “art studio.” I don’t use an easel, but work on a large bar-high art table instead. I put that table in the corner, added some storage cabinets, and voila, the perfect place to create! (And I’m very near the fridge and coffee maker – an added bonus!)

What kind of materials do you use? What mediums do you work in?

Recently I’ve started to work on cradled Gesso board and Clay board more than canvas. I love the harder surface, and the way I can better manipulate the paint. Plus, I’m finishing a lot of my work with epoxy resin, and I need the sturdier surface for that. I use acrylic paints, Golden heavy body. I also create mixed media art, using paint, pastels, ink, paper, and various embellishments to create an inspirational scene and message. I love hiding words in my art—leaving little secrets that require careful examination to find. Words like believe, blessing, dream, seek, love, dare, brave, and happiness. Also, I love birds. It’s not unusual for me to add a bird somewhere in the art.

What is your routine for art? Do you always sketch first?

I’m probably the most anti-routine person ever! I follow the muse, and most of the time I work backwards. I know in my head what I want to do and then I figure out how to make that happen. This means I have a lot of mess ups, but every mess up is a great chance to learn something. I’ve been working in the morning lately, immediately after waking, which is a switch for me. I used to work only in the afternoons. In many ways, I’m always thinking about art, and because I also write poetry, I’m always thinking about words. Any interesting color combination, design, texture, landscape, phrase, conversation, etc. is likely to become one of my many post-it-noted inspirational ideas for future use.

How long have you been making art? When did you start making art?

Selling art—about 3 years ago. Making art—forever. I used to draw as a child. When I had kids of my own, I was heavily into creating intricate pages for their scrapbooks. Then I started drawing birds with ink and using watercolor to paint them. Mixed media was my next addiction, and the basis for my first exhibit and art show. I love creating original covers for hard-back journals, and I sell a lot of those in art and craft shows. Lately, I’ve started exploring acrylic pour paintings and abstract landscape paintings. Obviously I find it hard to stick to one thing.

Who is your intended, or ideal, audience? Who do you make art for?

A lot of my mixed media art is geared toward children. The journals are for anyone who writes, draws, or keeps a diary. I make art for anyone who enjoys the creative nature of color and design.

What inspires you to create? If you are blocked, what do you do?

Nature inspires me. Language inspires me. Life inspires me. Sometimes I feel overwhelmed with all the many things I want to create that it makes me anxious to think I won’t have time to do them all. I am a detail-oriented person, and I notice everything, and so many things lead to new ideas. I rarely feel blocked, but if I do, I like to go to Pinterest on my computer and search for interesting color combinations or a new technique for some random thing. Usually 10 minutes is enough to get me going again.

What other things do you do besides art? Do you dance or play golf, etc.?

I write poetry. I’m the author of 3 poetry chapbooks and the founding editor of an online poetry journal called Rockvale Review. I’m a poetry mentor with the AWP Writer to Writer Mentorship Program. I’m also an endurance athlete and an Ironman. I just competed in the World Championship race for the 70.3 Half Ironman distance in Chattanooga, TN after qualifying for the race last year. My new goal is to complete a 50 mile trail race, hopefully in 2018.

What is your favorite part of the creative process?

Probably the idea phase. I love to think up a dozen things I want to create, jot down some notes and color ideas, and plan how I’m going to do them. Even right now, I’m looking at four rough sketches of landscapes complete with color notes that I want to create in the next couple of months. I also really like holding a finished piece of art in my hands, one I’m really proud of. That makes me indescribably happy!

What is your advice to aspiring artists?

Don’t follow the rules. I’ve never done anything the conventional way, and I like it that way. But I realize I might be a stubborn person for thinking like that, so let me say this instead: Don’t follow all the rules. Be free enough to take chances, to dare to color out of the lines. Believe in yourself enough to create the way you are made to create—from your own heart and the unique way you see and experience things. And put your art out in the world. You may be amazed at how many people respond positively to your creativity, and how your gifts might inspire, move, even heal someone else.

 

Check out Sandy’s work in Volume 4, Issue 1.

Diane Hoffman

Diane Hoffman graduated from Bowling Green State University with a Bachelor in Arts in May 2018. She majored in Film Production and minored in Creative Writing. Her most notable project during her time in college was the short film she wrote and directed, No One’s Little Girl, which ended up receiving Best in Show at the 2018 BGSU Film & Media Festival. Her interests include writing fiction, editing, painting, and directing. She plans to move to Manhattan to continue pursuing opportunities in film and writing.

Punk 4 a Day, Volume 4, Issue 2
Interview

Theme for Issue 8!

We are currently reading submissions for our eighth issue! The theme for the eighth issue is: comics, be it drawn in sequential images or just plain funny. See the Submit tab for details on how to submit. We accept photography, art, comics, creative nonfiction, fiction, flash fiction, experimental work, and poetry.