Matthew J. Kreglow–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

It varies. Usually, when the creative mood strikes me, I’ll just write whatever comes to mind, regardless of where I am. I have plenty of writings on bar napkins from my snack bar job, and scribblings in permanent marker on blank label sheets from my warehousing job.

What kind of materials do you use? Do you write by hand or type? What is your favorite writing utensil?

Generally, I like writing things by hand. There’s a specific pen brand and model I enjoy, mostly because of how the ink looks against the white of the page. If I don’t have access to these materials, I make do with what I can find, even if it means using crayons on construction paper.

What is your routine for writing?

Routine? What’s that?

Joking aside, I don’t have much of a set routine when it comes to my writing. Whenever I have down time during the day, I try to journal about pretty much anything, be it something I read or how I’m feeling during the day. I find it’s good to have some daily writing goals, but writers shouldn’t hold themselves so strictly to writing a certain amount of time each day. This tends to lead to burn out and makes the art of writing a chore rather than something fun and exciting. I know this because it happened to me for a while.

How long have you been writing? When did you start writing?

I’ve been writing for a very long time, ever since first grade, even though my handwriting was atrocious at that time. I remember my first book: The Adventures of Superdog. Essentially, I told my mother (to whom I owe so much for encouraging me in my writing) what happened in the story, she typed it out, and I did the illustrations. I had so much fun, I kept doing it.

Who is your intended, or ideal, audience? Who do you write for?

I write for those who will read it. I tend not to gear my writing to a specific audience, as I’ve found that this is very restrictive and hobbles rather than assists the writing process. I like to write stories that I personally would love to read. Perhaps this means my writing will appeal to a very niche audience, but I don’t mind that. It’s better for you to write something because you enjoy writing about it rather than because it will sell many books.

What inspires you to write? If you are blocked, what do you do?

This one is actually kind of tough, because there’s no one thing that inspires me to write. Sometimes it’s a single image from a film I’ve seen. Other times, it’s a painting I see or a photo I’ve taken. That’s why if I am blocked, I focus on other creative endeavors and table whatever I am writing for a while. Usually, that break is all I need to allow my brain to start cycling ideas again.

What other things do you do besides writing? Do you dance or play golf, etc.?

I enjoy going on excursions to local parks to photograph nature. I doodle in my notebooks sometimes as well. I love going to the local theater to take in a movie or checking out a whole stack of movies from the library and binge watching them.

What is your favorite part of the creative process?

Strangely enough, not so much the process of putting the idea on paper, but everything that comes before it. Coming up with the ideas for stories and poems and forming these abstractions into more concrete ideas is what I love most about writing. That, and seeing all that I’ve written after each writing session. There’s nothing more satisfying that paging through my notebook and seeing words in black ink against the white page.

What is your advice to aspiring writers?

Do it because you love it, not because you’re looking for glory, approval, wealth, or the myriad of other reasons people think writers write. If you enjoy what you’re doing, you’ll never truly lose that creative spark. And don’t be ashamed if you aren’t able to put something down on paper every time—sometimes that spark needs some time and space to become vibrant again.

Check out Matthew’s work in Volume 4, Issue 2.

Volume 4, Issue 2 is Here!

The issue is available as a PDF: TMR Volume 4 Issue 2.

The optional theme is comics, be it drawn in sequential images or just plain funny.

Contributors: Gershon Ben-Avraham, Susan P. Blevins, Mela Blust, Charles W. Brice, Aria Callaham, Joan Colby, Holly Day, Darren C. Demaree, Adam Durso, Kelcey Parker Ervick, Sarah A. Etlinger, GTimothy Gordon, John Grey, Jack D. Harvey, Aloura Hattendorf, Henry Hitz, Diane Hoffman, A.J. Huffman, Phil Huffy, James Croal Jackson, Lonnie James, Gloria DeVidas Kirchheimer, Matthew J. Kreglow, Claire Martin, Megan Miazgowicz, Jennifer Davis Michael, Paul Mills, TJ Neathery, Simon Perchik, Steven B. Rosenfeld, David Anthony Sam, William L. Spencer, David Spicer, Chuck Thompson, Dennis Trujillo, Bess Vanrenen, Maryfrances Wagner, Michael Whelan, Theresa Williams, and Kelsey Zimmerman.

Reviews: Hold Me Gorilla Monsoon by Colette Arrand, Auri by Auri, Internet Yearnings by Gary Beck, Mnemosyne’s Hand: Poems by Charles W. Brice, Her Secret Husband by Abbey Faith, The Future by From Ashes to NewBurn Site In Bloom by Jamie HoughtonRookland by Jesse Minkert, Beach Dweller Manifesto by Leah MuellerGhost Matter by Jade RamseyHeavenly Whispers by Roger SipplPermanent Change of Station by Lisa Stice, and i’m fine: A Haiku Collection About Mental Illness by Jamie Winters.

Winner of The Magnolia Review Ink Award: Theresa Williams, for “From The Diary of Lea Knight,” chosen by Dom Fonce.

Matthew J. Kreglow

Matthew J. Kreglow is a 2013 graduate of Bowling Green State University’s Creative Writing Program. Currently, he resides in his hometown of Medina, Ohio. In addition to writing poetry and short fiction, Matthew enjoys hiking the local nature trails and photographing wildlife and nature, as well as playing music with the local community band.

Fatal Error, Volume 4, Issue 2