12% Funded! Printer Updates!

We’ve pledged $763 of the $6,000 goal with 23 backers! Thank you for your support. With 20 days to go, let’s make physical copies of The Magnolia Review Volume 4 a reality. (Check out the Kickstarter here)

I have proofs from the printer for Volume 4, Issue 1.

Proof from printer of Volume 4, Issue 1
Proof from printer of Volume 4, Issue 1

 

Proof of cover from printer of Volume 4, Issue 1
Proof of cover from printer of Volume 4, Issue 1

Postcards have arrived for Volume 4, Issue 1, featuring Sandy Coomer’s Phoenix Rising.

Postcards of Sandy Coomer's Phoenix Rising, from Volume 4, Issue 1
Postcards of Sandy Coomer’s Phoenix Rising, from Volume 4, Issue 1

Please spread the word and keep pledging!

Thank you!

Suzanna

11% Funded! 28 Days To Go!

We are 11% funded with 28 days to go! Keep it up! Thank you to our backers. And thank you to William L. Spencer for posting about the Kickstarter project on Scribophile, with more rewards if you donate and are a member of Scribophile.

Check out the Kickstarter here: https://www.kickstarter.com/projects/magnoliareview/the-magnolia-review-volume-4?ref=project_build#

Scarlett Peterson–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

Both, actually. I work everywhere in that I keep a journal with me at all times. I don’t set aside a certain hour a day, and I don’t find any one place more productive than the next.

What kind of materials do you use? Do you write by hand or type? What is your favorite writing utensil?

I try to hand-write first because I find blank word documents intimidating. Seeing my own handwriting is not as jarring, and I find that typing it all up helps me to revise quickly and efficiently anyway.

What is your routine for writing?

I keep a daily poetry journal. My first year of grad school I took a workshop with Cecilia Woloch, and she assigned the daily poetry journal as a means to get us writing more often, and it stuck with me. Since I began sort of forcing myself to write something every day I’ve become more accustomed to looking at everything through a poetic lens.

How long have you been writing? When did you start writing?

I began writing in high school, very casually. Oddly enough, I tried to write every day back then too, but it was more of a hybrid of fiction and nonfiction then. I followed a twitter called Write One Leaf, which may still be around, and wrote whatever came to mind. I didn’t begin to see writing as a career until I was nearly out of college. I’d planned to study abroad the summer before graduation when I ran out of money and wound up staying and taking summer classes instead; I wound up in my first poetry workshop then, and I applied for my MFA in the Fall of 2015. I’m currently half-way done with the three year MFA at Georgia College, and I’m so glad that my life didn’t go quite as planned that Summer.

Who is your intended, or ideal, audience? Who do you write for?

I write for people who have experienced trauma, and I write for myself. Ideally my audience is anyone who feels something when they read my writing.

What inspires you to write? If you are blocked, what do you do?

I find inspiration everywhere, it’s just channeling it into good writing that’s difficult. When I’m stuck, I free write until I find what I need to say. I teach my comp students to do the same thing, and I think it works for any type of writing.

What other things do you do besides writing? Do you dance or play golf, etc.?

I love to cook and bake, and I love makeup. I freelance a little, but mostly I just do photoshoots and weddings for friends.

What is your favorite part of the creative process?

My favorite part of the creative process is probably the final round of revision, which is odd, because you can’t always tell that you’re in the final round until you’re finished. I love having a finished product.

What is your advice to aspiring writers?

Don’t let rejection stop you. Keep writing, and above all else keep reading. One of the first things I heard in grad school was to read every book that was mentioned by a professor, and I think that’s the best advice I’ve ever gotten.

 

Check out Scarlett‘s work in Volume 4, Issue 1.

Valerie Ruberto–Interview

1) My creative space is a park near my house. The entrance to the park isn’t very clear so not a lot of people go there. It has a steep hill and nothing else, but there’s a wooden picnic bench that I sit on when I write. I can see the whole park and the road is in the distance, so it makes me feel like I’m removed from the world around me, but still close enough to it for me to experience it if I want to. I write the first draft of my poems here, then I edit and proofread them in my house or my dorm room.

2) I usually write my first drafts by hand in a small notebook. I usually use pen because I believe that you should never edit your first draft while you write it. If I use pencil then I’m always tempted to go back and erase parts that I think could be better. I like to get in touch with nature while I write and using my laptop usually distracts me from that. But after the first draft is done, I type the poem onto a Google Drive document and edit it on there.

3) My writing process tends to be really long because I’m a perfectionist. Usually a year goes by between when I write the first draft of a poem and when I send it out to be published. After I write the first draft, I always leave the poem alone for at least a month before I start to edit it. This way, I’m looking at it with fresh eyes and hopefully a new perspective. I try to leave at least a month in between each time that I proofread it so I’m constantly seeing my poem in new ways. But since I can be such a perfectionist with my poems, doing this process can take a really long time.

4) Technically I started writing when I was 8. In my 3rd grade class, we had to do an assignment where we each carried around a notebook with us for two weeks and wrote down things that inspired us to write poems. Then we each wrote ten poems and created our own little poetry books. I carried that notebook around even after the project was done, and I’ve been writing poetry ever since then. I only started learning how to write actual poetry when I was a freshman in high school, though. I started submitting my poems to be published in literary magazines when I was a sophomore, and I got my first publication the summer after my junior year.

5) Audience is a tricky subject for my poetry. I try really hard to not think about the audience while I write. I just write what I think sounds good, and I see which literary magazines seem to agree. I hope that, whoever my audience may be, they are inspired by the poetry I create and enjoy reading it.

6) A lot of my inspiration comes from the stories of others. When I hear about people’s life experiences or see interesting stories on the news, it inspires me to put myself in that person’s shoes and try to write a poem from their perspective. So whenever I’m experiencing writer’s block, I just think of interesting books I’ve read, or TV shows I’ve seen, or stories from the news, and use those as a starting point to build a poem out of.

7) I’m currently majoring in psychology at Tufts University. Psychology is my passion and I recently started a business called Brain Tiger Supplements where I sell natural supplements that I’ve created to improve a person’s psychological health. Most of my time goes into that and school, so I don’t have much time for anything else.

8) My favorite part of the creative process is when I begin editing a first draft after not having read it for a month or two. It’s always so interesting to try to figure out what was going through my head when I wrote the poem, and I love mixing together my new ideas for it with what I had already written the first time. It’s so cool to see how a poem starts as one thing and morphs into an entirely new piece of writing.

9) My advice for aspiring writers is to not be too hard on yourself. I’m my own worst critic. I’ll write a poem and think it’s the most awful thing I’ve ever written, but then I’ll take a chance and send it to magazines for publication not expecting them to actually want to publish it, but then they’ll surprise me saying that they love the poem. Poetry is so subjective and some people may love what you write and others may hate it. But the most important thing is to not get too caught up in the negative responses you receive. Just because some people think a poem is terrible doesn’t mean that everyone will.

 

Check out Valerie’s work in Volume 4, Issue 1.

Wilda Morris–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

I write sitting on a bench in the wetlands, a museum, or a Mexican park; at an outside table at the Morton Arboretum; on a pew in an Italian church, or a stump in the woods; standing in front of a painting at the Art Institute; and riding the commuter train into Chicago. I do a lot of my writing at Panera (alone or with friends), where I can fill my mug with Hazelnut coffee as often as I wish, and I don’t hear my landline phone ring.

What kind of materials do you use? Do you write by hand or type? What is your favorite writing utensil?

Inspiration seems to flow most readily though pencils into spiral notebooks. I prefer pencils to pens because I lose good pens, and the disposable ones bad for the environment. Most of my editing is done on the computer. I often make changes as I type the first draft.

What is your routine for writing?

I wish I had one.

How long have you been writing? When did you start writing?

I wrote poetry when I was young. Having had great instruction in English at Iowa City High School, I passed a placement test which fulfilled the English requirement at American U. I made the mistake of not taking any English classes, and not writing poetry. When I was first married, I published a few poems, but while we were raising five active children, I didn’t make time for writing. Two things contributed to my becoming a serious poet. One was that my oldest grandchild had a painful, degenerative genetic disease and died shortly before her seventh birthday. I needed some way to express my feelings. The happy coincidence was that I was asked to volunteer as a curriculum counselor at the Green Lake Conference Center for about three weeks each summer for a number of years. The program director wanted me to attend conferences while I was there, including the writer’s conference. Those conferences helped me to hone my skills in poetry.

What inspires you to write? If you are blocked, what do you do?

I find the inspiration to write in many places: a painting or sculpture, a news event, a childhood memory, poetry by others. Flipping through the pages of a family photo album can also spark a poem or two. Perhaps my most dependable source of inspiration when I feel blocked is a book of good poetry; I find a poem to respond to, or a line to write from.

What other things do you do besides writing? Do you dance or play golf, etc.?

My favorite activity, besides spending time with family members, is travel. I also like to walk in the woods or wetlands, on the beach or the river walk. I take continuing education classes at The Newberry Library in Chicago—and use what I learn there (or what I read for class)—as inspiration for poems. I teach an adult Sunday School class, and sometimes write a poem inspired by what we discuss there.

What is your favorite part of the creative process?

I prefer the writing to submitting and keeping records, but that is probably true of all poets (a secretary and filing clerk would make my life easier!). The best time is when the poem takes charge and leads me in an unexpected direction. That is one reason I experiment with different forms. The rules often take me somewhere I had not intended to go, and would not have gone had I been writing free verse.

The camaraderie of small groups where we write together, and critique each other respectfully, is nurturing and fulfilling.

What is your advice to aspiring writers?

Read, read, read. Write in different genres and forms. Consider spending time writing rhymed and metered poems before you write a lot of free verse. It gives you practice in cadence and musicality. When I first tried writing sonnets, the results were terrible. I decided to read sonnets (and only sonnets) every day for several weeks. That got the meter of the sonnet in my head. My next attempts didn’t read like Shakespeare, but they were not unmitigated disasters, either.

I strongly advise aspiring writers to find or create a small group composed of people you trust and respect, people who will give you honest feedback and encouragement, and applaud your successes (and not be jealous), and for whom you can do the same. You can write together or meet regularly to critique and encourage each other.

 

Check out Wilda’s work in Volume 3, Issue 2, and Volume 4, Issue 1.