Daniel Edward Moore–Interview

Describe your creative space.

I have an office/library space in my home where I do most of my work, along with a place in the living room where after my morning meditation I work on poetry business, social networking, website, revisions and other tasks.

What kind of materials do you use?

I use my laptop mainly, but if I’m at a café or at work and get struck by something, I will certainly grab a pen and paper to keep the ideas fresh and hostage so to speak.

What is your routine for writing?

Early morning after my 4:00 am twenty minute meditation sit, I work on drafts in progress, do multiple submissions, answer emails from editors, read new books of poets I love, and mainly dig in for three hours before my work at the office begins.

How long have you been writing?

I’ve been writing for 25 years.

When did you start writing?

I began writing poetry in 1993.

Who is your intended, or ideal, audience?

I don’t really have a specific audience in mind, unless it is folks who are drawn to work that deals with the politics of intimacy, sexuality, the body, religious and sexual trauma or all of the above.

Who do you write for?

Myself and the world.

What inspires you to write?

My own interior life/mediation experience/other poetry/ and everything I open my mind and heart to in the hope I can always translate that experience back to the world in a fresh and different poetic form

If you are blocked, what do you do?

I have no experience of that. I have Asperger’s syndrome, and a radically obsessive mind that I calmly and fiercely turn to poetry. It’s the same as breathing.

What other things do you do besides writing?

I work out, play guitar and enjoy being a Grandfather and husband.

What is your favorite part of the creative process?

The pure joy of being powerless over what I call having, “the affliction.”

What is your advice to aspiring writers?

Read poetry. Listen to poetry. Find a community of poets and humble yourself to be mentored and loved through the trials and tribulations of poetry’s flames.

Check out Daniel’s work in Volume 5, Issue 1.

Volume 5, Issue 1 is Here!

The issue was published January 16, 2019. The sample is available here as a PDF to download.

The full PDF issue is available here from PayPal for $2, to help with funding contributor copies and mailing costs.

Volume 5, Issue 1 PDF

The full issue of The Magnolia Review, Volume 5, Issue 1.

$2.00

The optional theme is Lost and Found.

Contributors: Sudeep Adhikari, Charles Joseph Albert, Rey Armenteros, Jan Ball, Gary Beck, Susan P. Blevins, Michael K. Brantley, Judith Alexander Brice, Alexandra Brinkman, Frank De Canio, Aidan Coleman, Daniel de Culla, Lydia A. Cyrus, Nathan Dennis, Deborah H. Doolittle, Steven Goff, Dave Gregory, John Grey, Jack D. Harvey, Kevin Haslam, Michael Paul Hogan, Erica Michaels Hollander, Mark Hudson, Heikki Huotari, Nancy Byrne Iannucci, Jayant Kashyap, Wade McCullough, Don McLellan, Todd Mercer, Daniel Edward Moore, Donají Olmedo, Simon Perchik, Zachary A. Philips, Mari Posa, Eric Rasmussen, David Anthony Sam, J.B. Santillan, Marygrace Schumann, Sydnee Smailes, Ruben E. Smith, William L. Spencer, Penn Stewart, Lisa Stice, Ash Strange, Lee Triplett, Mitchell Waldman, Thomas Wattie, Richard Weaver, Theresa Williams, and Bill Wolak.

Reviews: Blunt Force by Gary Beck, The Remission of Order by Gary Beck, Overhead from Longing by Judith Alexander Brice, Bombing the Thinker by Darren C. Demaree, Lady, You Shot Me by Darren C. Demaree, Never One for Promises by Sarah A. Etlinger, An Absolutely Remarkable Thing by Hank Green, Mark the Dwarf by Jack D. Harvey, The Frayed Edge of Memory by James Croal Jackson, Mishigamaa by Robert Krantz, Firefly: Big Damn Hero by James Lovegrove, I Exist. Therefore I Am by Shirani Rajapakse, Final Inventory by David Anthony Sam, and Depression Hates a Moving Target: How Running With My Dog Brought Me Back From the Brink by Nita Sweeney.

Winner of The Magnolia Review Ink Award: Nathan Dennis, for “Meditations on Creation.” Selected by Aretha Lemon.

Aretha Lemon

Aretha Lemon is a graduate of the Bowling Green State University Creative Writing program with poems published in the Prairie Margins literary magazine and the Silver Birch Press.

Judge of The Magnolia Review Ink Award for Volume 5, Issue 1, chose Nathan Dennis, “Meditations on The Creation”

Henry Hitz–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

I have a study, or a man-cave, in my house where I do almost all of my writing, though I also have a piece of land in the Santa Cruz mountains where I go for inspiration.

What kind of materials do you use? Do you write by hand or type? What is your favorite writing utensil?

I’ve been writing using a computer (first WordStar, then WordPerfect, now MSWord) since I bought an Osborne back in 1981.

What is your routine for writing?

I don’t have a rigid routine. Generally I write on weekends, stoke up on caffeine Saturday morning and write away. I make sure I have a piece to read at my weekly writer’s group.

How long have you been writing? When did you start writing?

I wrote my first story when I was 8 years old. It was called “Fate and Pearl Harbor.” I’ve written off and on ever since, but seriously since high school.

Who is your intended, or ideal, audience? Who do you write for?

It varies from piece to piece. My first novel, White Knight, was written for the progressive community of San Francisco. My second novel, Supremacy, was written for both people into politics and into the kink community. The novel I am currently finishing, Squirrels in the Wall, was written for people who care about the planet and humans’ relationship with nature, as well as people interested in the nature of death.

What inspires you to write? If you are blocked, what do you do?

Reading inspires me. The Castle, Catcher in the Rye, The Color Purple are three voices that have influenced my writing. I am primarily motivated by an obsessive need to understand the f-ing universe and explain that understanding to my fellow humans.

What other things do you do besides writing? Do you dance or play golf, etc.?

I’m an activist and political organizer when I’m not writing. I read. I watch the great stuff on TV (Handmaid’s Tale, Chi, Peaky Blinders). I obsess about kinky sex, lol.

What is your favorite part of the creative process?

The process itself when it is flowing. Allowing my all too vivid imagination to run away with me.

What is your advice to aspiring writers?

There’s no such thing as talent. Talent is a myth designed by our oppressive society to exclude the vast majority of voices from our cultural conversation. Everyone has a story to tell that is profound and profoundly different from anyone else’s, and if you just keep trying to tell it, sooner or later it will be told just the way you want it to be, regardless of whether anyone reads it or not. Finding your voice is the same thing as finding yourself. Expressing ourselves is what we are here for in order to connect with others. It’s all about connection. Reality inheres in the connection between us.  Also, join a writer’s group.

 

Check out Henry’s work in Volume 4, Issue 2, and his story “Turtle Bay,” was nominated for the Pushcart.

 

David Spicer–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

I work in a spare bedroom surrounded by books and CDs. Much of the time my cat is with me.

What kind of materials do you use? Do you write by hand or type? What is your favorite writing utensil?

I use the computer for most of my poems, but I often write in longhand.

What is your routine for writing?

I don’t have a set routine or ritual for writing. I write when the mood strikes me, which is often.

How long have you been writing? When did you start writing?

50 years. I started in high school.

Who is your intended, or ideal, audience? Who do you write for?

No ideal audience. I don’t write for academics but for myself and for people who care to read what I write.

What inspires you to write? If you are blocked, what do you do?

Anything that catches my fancy.  I’m rarely blocked. Sometimes I won’t write for a week or so, but usually I’m back in the chair before long.

What other things do you do besides writing? Do you dance or play golf, etc.?

I watch movies, listen to music, email other writers, read. I try to walk a lot, too.

What is your favorite part of the creative process?

Listening to that inner voice that says a poem is coming and then writing the first few lines. And then the revision part is as exciting, too. So I guess I like all parts.

What is your advice to aspiring writers?

Find a couple of trusted readers who believe in tough love and who push you in a kind way. Avoid abrasive critics.

 

Check out David’s work in Volume 4, Issue 2.

 

Sudeep Adhikari

Sudeep Adhikari is a structural engineer/Lecturer from Kathmandu, Nepal. His recent publications were with Beatnik Cowboys, Chiron Review, The Ekphrastic Review, Midnight Lane Boutique, Occulum, Silver Birch Press, Eunoia Review, Utt Poetry and Spilling Cocoa over Martin Amis. Also a Pushcart Prize nominee for the year 2018, Sudeep is currently working on his fourth poetry book “Hyper-Real Reboots,” which is scheduled for publication in September 2018 through Weasel Press, Texas, USA.

beer and burrito, and master of all fuck-ups, Volume 5, Issue 1

Kevin Haslam

Kevin Haslam is a content writer and communications professional. He was a paint salesman before shifting to writing where he earned an MA in English at Morehead State University. He resides in Cranston, Rhode Island, with his wife and two boys, and he can be found at www.KevinHaslamAuthor.com.

Spitting Distance, Volume 5, Issue 1