Orit Yeret–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

I usually work at home, since I find that I need a quiet place to write and reflect. Sometimes, when I look for inspiration, I do visit local coffee shops and/or bookstores and jot down ideas.

What kind of materials do you use? Do you write by hand or type? What is your favorite writing utensil?

When I get an idea, I tend to write it down first by hand, in a notebook I always carry with me.

At a later date, I go back and re-read what I had written and begin creating an outline for a short story or a poem. I prefer using pens, and not pencils.

What is your routine for writing?

I do not have a “set” routine for writing. For me, it is something that happens spontaneously and I prefer not to plan it out. However, when I am in the editing stage of a piece, I do set aside a specific time for proper review.

How long have you been writing? When did you start writing?

I started writing “officially” when I was fourteen years old. I began putting together words in English that had a nice sound to them, and, without intention created my first poems.

Who is your intended, or ideal, audience? Who do you write for?

I do not have “one type” of audience in mind when I write. I hope to appeal to as many people as possible, since the topics I write about tend to be universal and quite broad.

What inspires you to write? If you are blocked, what do you do?

I am inspired by the “everyday”–people and situations I see around me. Wherever I am, when I walk down the street, when I ride the train or when I am on a plane, I listen and look out for “stories.” If I feel blocked, I leave it alone, sometimes for hours, sometimes for days, and come back to the materials when I feel ready. I see writing as a process–sometimes things run smoothly, sometimes they do not. But in the process I learn new things about myself.

What other things do you do besides writing? Do you dance or play golf, etc.?

I like to read, paint, take photographs, dance and practice yoga.

I also love to go to the cinema and listen to all kinds of music.

What is your favorite part of the creative process?

My favorite part is coming up with a new idea. When I get that “spark” I can’t wait to write it down and imagine the different ways in which it can develop. It can be something small and completely random, like a phrase that comes to mind or a sentence I heard someone say, and the rest goes from there. It is an exciting process of discovery.

What is your advice to aspiring writers?

My advice is simply to keep at it. When I think back to when I first started writing, I never realized what a big part writing would actually play in my life. Today, I can absolutely say that writing is my passion–it is the way I share myself with the world, it is the way I find my voice.

Check out Orit‘s work in Volume 6, Issue 2. And view more of her work at: www.orityeret.com.

Kristin LaFollette

Kristin LaFollette is a writer, artist, and photographer and is the author of the chapbook, Body Parts (GFT Press, 2018). She is a professor at the University of Southern Indiana and serves as the Art Editor at Mud Season Review. You can visit her on Twitter at @k_lafollette03, on her personal website at kristinlafollette.com, or on her photography website at lsphoto1020.wordpress.com

Oak + Second series, Volume 6, Issue 2


Serena Agusto-Cox

Serena Agusto-Cox, Suffolk University alum, writes more vigorously than she did in her college poetry seminars. Her day job feeds the starving artist, and her poems can be read in Broadkill Review, Dime Show Review, Baseball Bard, Mothers Always Write, Bourgeon, Beginnings Magazine, LYNX, Muse Apprentice Guild, The Harrow, Poems Niederngasse, Avocet, Pedestal, and more. An essay also appears in H.L. Hix’s Made Priceless, three poems in the Love_Is_Love: An Anthology for LGBTQIA+ Teens (2019), and a Q&A in Midge Raymond’s Everyday Book Marketing. Serena also runs book review blog Savvy Verse & Wit and founded Poetic Book Tours.

Is this the worth of us?, Gun Safety, and Hide-and-Seek 2.0, Volume 6, Issue 2

Mary Sophie Filicetti

Mary Sophie Filicetti writes fiction in the myriad coffee shops around DC, and has discovered a love of flash fiction. Her first publication appeared in Everyday Fiction in January. She is also a contributing author to Building on Patterns Preschool Braille Curriculum.

Anniversary, Volume 6, Issue 2


Martina Nicholson

As a retired Ob-Gyn,  Dr. Martina Nicholson has been most interested in the interior landscapes of women. She has published six poetry books through Old Mountain Press. She is fascinated by cross-cultural issues and language, as well as growth and healing. 

Brain Waves, Fabergé Egg, Fossil Fish, and Moons of Jupiter, Rings of Saturn, Volume 6, Issue 2


Barry Peters

Barry Peters lives in Durham and teaches in Raleigh, NC. Print and online publications, some forthcoming, include The American Journal of Poetry, Best New Poets 2018, New Ohio Review, Poetry East, Rattle, and South Florida Poetry Journal.

Slice of Life, Crucifixion, Long Shot, and Road Trip, Volume 6, Issue 2


Juliana Mei

Juliana Mei is currently a sophomore in English Literature at Nanyang Technological University, whose interests include playing the violin and engaging in personal projects usually tied to photography and design. She participates actively in her institution’s creative writing competitions, otherwise reading and writing conscientiously as often as she can.

In the Sickroom, Again, A Prescription for Madness, Lessons for a Young Witch, A Much Better Mistake, Christmas with the Devil, and Growing Pains, Volume 6, Issue 2


Orit Yeret

Orit Yeret is a writer, artist, and teacher. Born and raised in Israel, she currently lives in the U.S. Her work recently appeared in The Voices Project, The Borfski Press, Ink Pantry, Drunk Monkeys, Crack the Spine, Blue Lake Review, Evening Street Review and Steam Ticket.

View more of her work at: www.orityeret.com

Head in the Clouds, Volume 6, Issue 2


Cathy Ulrich

Cathy Ulrich used to have a dog that terrorized children on the playground when she was young. Her parents said that dog went to a nice farm to live, but she’s not so sure. Her work has been published in various journals, including Craft, Cheat River Review, and Threadcount.

The Children, Waiting for Someone to Fall, Volume 6, Issue 2