Diane Hoffman–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

I try to work in public spaces because I find at home to be too distracting. I also try to switch up the environment I work in because I find I tend to be more creative or just willing to write or draw whatever.

What kind of materials do you use? What mediums do you work in?

I like a fine tipped pen for making my lines, something like uniball. I recently have gotten into watercolor and marker more, but my go to tends to be colored pencil or just ink pens. I also love working with acrylic paint, but that’s not something I’ve ever used for comics.

What is your routine for art? Do you always sketch first?

I hate sketching first so I tend to nix that step if I think I can get away with it. For comics I tend to use one of those blue sketch pencils that won’t show the marks once the piece is scanned. But I hate sketching, I just want to draw something once and be done with it.

How long have you been making art? When did you start making art?

My mom grew up wanting to be an animator, so from a young age she has always pushed me to make art. I think around seven was when I started to actually care more about the art I was making. I started making comics around that age just for myself.

Who is your intended, or ideal, audience? Who do you make art for?

I try to make art for more of an older audience that likes to laugh or poke fun at things. I also just kind of make it for myself and what I think would be funny.

What inspires you to create? If you are blocked, what do you do?

Getting out of my comfort zone for sure helps me create more. Also being sad is usually when I’ve come up with some of my best ideas, although sadness and misery isn’t really ideal. If I’m blocked I usually take a long walk to clear my mind, and maybe settle down at a new location and start again.

What other things do you do besides art? Do you dance or play golf, etc.?

I’m a filmmaker, I like to direct, write, and edit. I’m also invested in the improv comedy scene. I’m moving to Manhattan in June, and I’m hoping to explore that scene more.

What is your favorite part of the creative process?

Being done! Having a thing to call my own!

I also like coming up with the idea, that part is kinda easy. I like making outlines and working out logistics when I’m writing fiction. It’s the executing part I’m not too fond of.

What is your advice to aspiring artists?

I’ve said it already, but get out of your comfort zone. Go somewhere new, try something new.

 

Check out Diane’s work in Volume 4, Issue 2.

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Winner of The Magnolia Review Ink Award for Volume 4, Issue 2

I would like to thank Suzanna for giving me this opportunity. She should be proud of this issue and all the strong voices that it captures. Some of my favorite pieces are “Turtle Bay” by Henry Hintz, “Punk 4 a Day” by Diane Hoffman, the poems of Holly Day, Chuck Thompson, GTimothy Gordon, and Sarah A. Etlinger. If it were not for my first choice, “Two Fools” by Sarah A. Etlinger would be my winner because to its tightness, sharpness, and grace of language.

 

However, I find the excerpt of Theresa WilliamsFrom The Diary of Lea Knight to be the undeniable centerpiece of this issue. In this excerpt, Williams balances a combined feeling of prose and poetry in her writing. Her line work is crisp when called for and chaotic when necessary. In the best way possible, the notebook presentation of Williams’ project brings to mind Lynda Barry’s Syllabus, while the dark, real philosophizing evokes Alison Bechdel’s Fun Home and Are You My Mother? The work also takes me to old folktales, like Cinderella, that showcase familial catastrophes by an unhinged parent onto an innocent child, and the ensuing existential crises people feel under the force of an oppressive thumb. I think this slice of From The Diary of Lea Knight is a fascinating piece of sequential art, and I cannot wait to see more of it once it is inevitably published.

 

 

 

Dom Fonce is an undergrad English major at Youngstown State University. He’s been published in fiction, poetry, comics, and journalism. Some of his work can be found at Calliope of the University of Mount Union, Penguin Review, the Jambar, and the forthcoming summer 2017 issue of 3Elements Review. Collaborated with Vincent Butka (penciller), Jared Burton (inker and colorist), and Kaleena Spackman (letterer).

Volume 4, Issue 2 is Here!

The issue is available as a PDF: TMR Volume 4 Issue 2.

The optional theme is comics, be it drawn in sequential images or just plain funny.

Contributors: Gershon Ben-Avraham, Susan P. Blevins, Mela Blust, Charles W. Brice, Aria Callaham, Joan Colby, Holly Day, Darren C. Demaree, Adam Durso, Kelcey Parker Ervick, Sarah A. Etlinger, GTimothy Gordon, John Grey, Jack D. Harvey, Aloura Hattendorf, Henry Hitz, Diane Hoffman, A.J. Huffman, Phil Huffy, James Croal Jackson, Lonnie James, Gloria DeVidas Kirchheimer, Matthew J. Kreglow, Claire Martin, Megan Miazgowicz, Jennifer Davis Michael, Paul Mills, TJ Neathery, Simon Perchik, Steven B. Rosenfeld, David Anthony Sam, William L. Spencer, David Spicer, Chuck Thompson, Dennis Trujillo, Bess Vanrenen, Maryfrances Wagner, Michael Whelan, Theresa Williams, and Kelsey Zimmerman.

Reviews: Hold Me Gorilla Monsoon by Colette Arrand, Auri by Auri, Internet Yearnings by Gary Beck, Mnemosyne’s Hand: Poems by Charles W. Brice, Her Secret Husband by Abbey Faith, The Future by From Ashes to NewBurn Site In Bloom by Jamie HoughtonRookland by Jesse Minkert, Beach Dweller Manifesto by Leah MuellerGhost Matter by Jade RamseyHeavenly Whispers by Roger SipplPermanent Change of Station by Lisa Stice, and i’m fine: A Haiku Collection About Mental Illness by Jamie Winters.

Winner of The Magnolia Review Ink Award: Theresa Williams, for “From The Diary of Lea Knight,” chosen by Dom Fonce.

Diane Hoffman

Diane Hoffman graduated from Bowling Green State University with a Bachelor in Arts in May 2018. She majored in Film Production and minored in Creative Writing. Her most notable project during her time in college was the short film she wrote and directed, No One’s Little Girl, which ended up receiving Best in Show at the 2018 BGSU Film & Media Festival. Her interests include writing fiction, editing, painting, and directing. She plans to move to Manhattan to continue pursuing opportunities in film and writing.

Punk 4 a Day, Volume 4, Issue 2
Interview