The issue was published January 16, 2019. The sample is available here as a PDF to download.
The full PDF issue is available here from PayPal for $2, to help with funding contributor copies and mailing costs.
The full issue of The Magnolia Review, Volume 5, Issue 1.
The optional theme is Lost and Found.
Contributors: Sudeep Adhikari, Charles Joseph Albert, Rey Armenteros, Jan Ball, Gary Beck, Susan P. Blevins, Michael K. Brantley, Judith Alexander Brice, Alexandra Brinkman, Frank De Canio, Aidan Coleman, Daniel de Culla, Lydia A. Cyrus, Nathan Dennis, Deborah H. Doolittle, Steven Goff, Dave Gregory, John Grey, Jack D. Harvey, Kevin Haslam, Michael Paul Hogan, Erica Michaels Hollander, Mark Hudson, Heikki Huotari, Nancy Byrne Iannucci, Jayant Kashyap, Wade McCullough, Don McLellan, Todd Mercer, Daniel Edward Moore, Donají Olmedo, Simon Perchik, Zachary A. Philips, Mari Posa, Eric Rasmussen, David Anthony Sam, J.B. Santillan, Marygrace Schumann, Sydnee Smailes, Ruben E. Smith, William L. Spencer, Penn Stewart, Lisa Stice, Ash Strange, Lee Triplett, Mitchell Waldman, Thomas Wattie, Richard Weaver, Theresa Williams, and Bill Wolak.
Reviews: Blunt Force by Gary Beck, The Remission of Order by Gary Beck, Overhead from Longing by Judith Alexander Brice, Bombing the Thinker by Darren C. Demaree, Lady, You Shot Me by Darren C. Demaree, Never One for Promises by Sarah A. Etlinger, An Absolutely Remarkable Thing by Hank Green, Mark the Dwarf by Jack D. Harvey, The Frayed Edge of Memory by James Croal Jackson, Mishigamaa by Robert Krantz, Firefly: Big Damn Hero by James Lovegrove, I Exist. Therefore I Am by Shirani Rajapakse, Final Inventory by David Anthony Sam, and Depression Hates a Moving Target: How Running With My Dog Brought Me Back From the Brink by Nita Sweeney.
Winner of The Magnolia Review Ink Award: Nathan Dennis, for “Meditations on Creation.” Selected by Aretha Lemon.
Krantz submitted to the first issue of The Magnolia Review. His poems are magnetic and show poetic mastery. His language builds strong and lasting images. His chosen language sounds a melodious music to read aloud, a rhythm that you have to play to completion.
In “Pearl,” the speaker begins with, “I remember the wheat fields / of Iowa and the photograph / of you I took with me, / and how neither ever really ended.” The speaker continues, “We ate and loved / much in that decade, / collided with stars, / authored myths / and stuffed our age-spotted hands / into denim pockets.” The image and sound carries through the lines, building to the final image of “The half shells we find on beaches / were once a thing joined together, / breathing, and grinding / new pearls into place.” The poem builds like a pearl, with the images stringing together into a cohesive piece.
Laundry can be boring. The speaker reflects on his fellow laundry-doers in “Load,” where “The bachelors in the laundromat / spill their words / like bleach / on black clothes, / speak of condos / and alimonies— / thick humidities turning.” The clothes transform into more, they are “damp thoughts” as they wash, and they “…breathe[s] / restless poems / into my blues and grays. / Soon this summer rain / will end, volume of water / striking pavement / will knob itself silent.” Krantz ends the poem with a moment that draws the reader back to the reality of the laundromat, “The cash machine, / against the flecked wall, / reminds me to change.”
The collection ends with “Pathfinder,” about a hatchet and its story. It shares the story of two boys cutting down a tree and of a sibling wrestling game gone awry.
Overall, Krantz’s poems are musical and full of images that inspire looking at mundane events in a new and interesting way. I look forward to reading more of Krantz’s work.
Check out Robert‘s work in Volume 1, Issue 1, and a review of Gargoyles in Volume 2, Issue 2.
Robert Krantz was born and raised in western New York. He studied Creative Writing and English Literature at both Niagara County Community College, New York, and the University of Akron, Ohio. He is currently a M.F.A. candidate at the University of Arkansas-Monticello. Robert has published a chapbook of poetry and prose, Leg Brace Legato, available at Amazon. His work has appeared in Akros Review, Bare Fiction, Bitterzoet, East Coast Literary Review, and Poetry Quarterly. Check out his website here.
arwen, Volume 1, Issue 1
Review of Gargoyles in Volume 2, Issue 2
Review of Mishigamaa