Henry Hitz–Interview

Describe your creative space. Do you work at home, in public spaces, etc.?

I have a study, or a man-cave, in my house where I do almost all of my writing, though I also have a piece of land in the Santa Cruz mountains where I go for inspiration.

What kind of materials do you use? Do you write by hand or type? What is your favorite writing utensil?

I’ve been writing using a computer (first WordStar, then WordPerfect, now MSWord) since I bought an Osborne back in 1981.

What is your routine for writing?

I don’t have a rigid routine. Generally I write on weekends, stoke up on caffeine Saturday morning and write away. I make sure I have a piece to read at my weekly writer’s group.

How long have you been writing? When did you start writing?

I wrote my first story when I was 8 years old. It was called “Fate and Pearl Harbor.” I’ve written off and on ever since, but seriously since high school.

Who is your intended, or ideal, audience? Who do you write for?

It varies from piece to piece. My first novel, White Knight, was written for the progressive community of San Francisco. My second novel, Supremacy, was written for both people into politics and into the kink community. The novel I am currently finishing, Squirrels in the Wall, was written for people who care about the planet and humans’ relationship with nature, as well as people interested in the nature of death.

What inspires you to write? If you are blocked, what do you do?

Reading inspires me. The Castle, Catcher in the Rye, The Color Purple are three voices that have influenced my writing. I am primarily motivated by an obsessive need to understand the f-ing universe and explain that understanding to my fellow humans.

What other things do you do besides writing? Do you dance or play golf, etc.?

I’m an activist and political organizer when I’m not writing. I read. I watch the great stuff on TV (Handmaid’s Tale, Chi, Peaky Blinders). I obsess about kinky sex, lol.

What is your favorite part of the creative process?

The process itself when it is flowing. Allowing my all too vivid imagination to run away with me.

What is your advice to aspiring writers?

There’s no such thing as talent. Talent is a myth designed by our oppressive society to exclude the vast majority of voices from our cultural conversation. Everyone has a story to tell that is profound and profoundly different from anyone else’s, and if you just keep trying to tell it, sooner or later it will be told just the way you want it to be, regardless of whether anyone reads it or not. Finding your voice is the same thing as finding yourself. Expressing ourselves is what we are here for in order to connect with others. It’s all about connection. Reality inheres in the connection between us.  Also, join a writer’s group.

 

Check out Henry’s work in Volume 4, Issue 2, and his story “Turtle Bay,” was nominated for the Pushcart.

 

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2018 Pushcart Nominations

The Magnolia Review Pushcart Nominations for 2018:

Winner of The Magnolia Review Ink Award for Volume 4, Issue 2

I would like to thank Suzanna for giving me this opportunity. She should be proud of this issue and all the strong voices that it captures. Some of my favorite pieces are “Turtle Bay” by Henry Hintz, “Punk 4 a Day” by Diane Hoffman, the poems of Holly Day, Chuck Thompson, GTimothy Gordon, and Sarah A. Etlinger. If it were not for my first choice, “Two Fools” by Sarah A. Etlinger would be my winner because to its tightness, sharpness, and grace of language.

 

However, I find the excerpt of Theresa WilliamsFrom The Diary of Lea Knight to be the undeniable centerpiece of this issue. In this excerpt, Williams balances a combined feeling of prose and poetry in her writing. Her line work is crisp when called for and chaotic when necessary. In the best way possible, the notebook presentation of Williams’ project brings to mind Lynda Barry’s Syllabus, while the dark, real philosophizing evokes Alison Bechdel’s Fun Home and Are You My Mother? The work also takes me to old folktales, like Cinderella, that showcase familial catastrophes by an unhinged parent onto an innocent child, and the ensuing existential crises people feel under the force of an oppressive thumb. I think this slice of From The Diary of Lea Knight is a fascinating piece of sequential art, and I cannot wait to see more of it once it is inevitably published.

 

 

 

Dom Fonce is an undergrad English major at Youngstown State University. He’s been published in fiction, poetry, comics, and journalism. Some of his work can be found at Calliope of the University of Mount Union, Penguin Review, the Jambar, and the forthcoming summer 2017 issue of 3Elements Review. Collaborated with Vincent Butka (penciller), Jared Burton (inker and colorist), and Kaleena Spackman (letterer).

Volume 4, Issue 2 is Here!

The issue is available as a PDF: TMR Volume 4 Issue 2.

The optional theme is comics, be it drawn in sequential images or just plain funny.

Contributors: Gershon Ben-Avraham, Susan P. Blevins, Mela Blust, Charles W. Brice, Aria Callaham, Joan Colby, Holly Day, Darren C. Demaree, Adam Durso, Kelcey Parker Ervick, Sarah A. Etlinger, GTimothy Gordon, John Grey, Jack D. Harvey, Aloura Hattendorf, Henry Hitz, Diane Hoffman, A.J. Huffman, Phil Huffy, James Croal Jackson, Lonnie James, Gloria DeVidas Kirchheimer, Matthew J. Kreglow, Claire Martin, Megan Miazgowicz, Jennifer Davis Michael, Paul Mills, TJ Neathery, Simon Perchik, Steven B. Rosenfeld, David Anthony Sam, William L. Spencer, David Spicer, Chuck Thompson, Dennis Trujillo, Bess Vanrenen, Maryfrances Wagner, Michael Whelan, Theresa Williams, and Kelsey Zimmerman.

Reviews: Hold Me Gorilla Monsoon by Colette Arrand, Auri by Auri, Internet Yearnings by Gary Beck, Mnemosyne’s Hand: Poems by Charles W. Brice, Her Secret Husband by Abbey Faith, The Future by From Ashes to NewBurn Site In Bloom by Jamie HoughtonRookland by Jesse Minkert, Beach Dweller Manifesto by Leah MuellerGhost Matter by Jade RamseyHeavenly Whispers by Roger SipplPermanent Change of Station by Lisa Stice, and i’m fine: A Haiku Collection About Mental Illness by Jamie Winters.

Winner of The Magnolia Review Ink Award: Theresa Williams, for “From The Diary of Lea Knight,” chosen by Dom Fonce.

Henry Hitz

Henry Hitz taught pre-school for 30 years in San Francisco and recently retired from 15 years of organizing parents in the Oakland public schools. He lives in Oakland with his wife, his son, and two sisters. He is treasurer of the California Writers Club Berkeley Branch. He has published stories in Cube Literary Magazine, Instructor Magazine, and Moonfish. His first novel, Tales of Monkeyman, won the Walter Van Tilburg Clark Prize. His novel White Knight was published in January 2016 by Wordrunner Press.

Turtle Bay, Volume 4, Issue 2 (Pushcart Nomination)