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Updated Schedule for 7.1 and 7.2

by Suzanna Anderson Creates

The 7.1 issue will be available February 2023. The 7.2 issue will be available August 2023. Then we’ll return to January and July in 2024.

Suzanna, Editor in Chief, apologizes for the extensive delays. The team is slowly but surely getting back on schedule and on track with reading and responding to submissions and emails. Thank you so very much for your patience.

Thank You Message with colorful background

We are always open for submissions and still looking for great pieces for our 2023 issues. Please click on the 7.1 and 7.2 tabs for more information.

See the Submit tab for details on how to submit. We accept photography, art, comics, creative nonfiction, fiction, flash fiction, experimental work, hybrid work, and poetry.

Delay for Volume 7, Issue 1

by Suzanna Anderson Creates

The issue will be available August 2021.

Suzanna, Editor in Chief, apologizes for the delay. Slowly but surely getting back on schedule and on track. Thank you for your patience.

We are always open for submissions and still looking for great pieces for October Issue. Please click Volume 7, Issue 2 tab for more information.

The optional theme for Volume 7, Issue 1 is Significant Phone Calls, Texts, and Letters. See the Submit tab for details on how to submit. We accept photography, art, comics, creative nonfiction, fiction, flash fiction, experimental work, hybrid work, and poetry.

Robert Fern

by Suzanna Anderson Creates

Robert Fern is a professor of translational neurobiology who lives in Plymouth England. This year he has published or had accepted for publication pieces in Between the lines press, The Fortnightly Review, Isacoustic, Blue Unicorn, and the Chiron Review. Other than that, his publication record is purely academic. 

Last, Under the surface, and I don’t know where she lies, Volume 6, Issue 2

Margarita Serafimova

by Suzanna Anderson Creates

Margarita Serafimova was shortlisted for the Montreal International Poetry Prize 2017, Summer Literary Seminars 2018 Poetry Contest, and the University Centre Grimsby International Literary Prize 2018; long-listed for the Erbacce Press Poetry Prize 2018 and the Red Wheelbarrow 2018 Prize, and nominated for Best of the Net 2018. She has three collections in Bulgarian. Her work appears in Agenda Poetry, London Grip, Trafika Europe, European Literature Network, The Journal, A-Minor, Waxwing, Orbis, Nixes Mate, StepAway, Ink, Sweat and Tears, HeadStuff, Minor Literatures, Writing Disorder, Birds We Piled Loosely, Orbis, Chronogram, Noble/ Gas, Origins, miller’s pond, Obra/ Artifact, Blue Mountain Review, Califragile, TAYO, Shot Glass, Opiate, Poetic Diversity, Pure Slush, Harbinger Asylum, Punch, Tuck, Ginosko, etc. Visit: https://www.facebook.com/MargaritaISerafimova/?ref=aymt_homepage_panel

Untitled, Untitled, Untitled, Untitled, Untitled, and Untitled, Volume 5, Issue 2

Maya Alexandri

by Suzanna Anderson Creates

Maya Alexandri is the author of The Plague Cycle (Spuyten Duyvil 2018), a short story collection, and The Celebration Husband (TSL Publications 2015), a novel. Her short stories have been published in The Forge, The Stockholm Review of Books, Dime Show Review, and many others. Her story, “Ann Noni Mini,” was nominated for a 2018 Pushcart Prize. She is currently a medical student at the Zucker School of Medicine at Hofstra-Northwell and a 2nd Lieutenant in the U.S. Army. For more information, see www.mayaalexandri.com. 

Jean and Echo, Volume 5, Issue 2

Daniel Edward Moore–Interview

by Suzanna Anderson Creates

Describe your creative space.

I have an office/library space in my home where I do most of my work, along with a place in the living room where after my morning meditation I work on poetry business, social networking, website, revisions and other tasks.

What kind of materials do you use?

I use my laptop mainly, but if I’m at a café or at work and get struck by something, I will certainly grab a pen and paper to keep the ideas fresh and hostage so to speak.

What is your routine for writing?

Early morning after my 4:00 am twenty minute meditation sit, I work on drafts in progress, do multiple submissions, answer emails from editors, read new books of poets I love, and mainly dig in for three hours before my work at the office begins.

How long have you been writing?

I’ve been writing for 25 years.

When did you start writing?

I began writing poetry in 1993.

Who is your intended, or ideal, audience?

I don’t really have a specific audience in mind, unless it is folks who are drawn to work that deals with the politics of intimacy, sexuality, the body, religious and sexual trauma or all of the above.

Who do you write for?

Myself and the world.

What inspires you to write?

My own interior life/mediation experience/other poetry/ and everything I open my mind and heart to in the hope I can always translate that experience back to the world in a fresh and different poetic form

If you are blocked, what do you do?

I have no experience of that. I have Asperger’s syndrome, and a radically obsessive mind that I calmly and fiercely turn to poetry. It’s the same as breathing.

What other things do you do besides writing?

I work out, play guitar and enjoy being a Grandfather and husband.

What is your favorite part of the creative process?

The pure joy of being powerless over what I call having, “the affliction.”

What is your advice to aspiring writers?

Read poetry. Listen to poetry. Find a community of poets and humble yourself to be mentored and loved through the trials and tribulations of poetry’s flames.

Check out Daniel’s work in Volume 5, Issue 1.