Margarita Serafimova

by Suzanna Anderson CreatesJuly 14, 2019

Margarita Serafimova was shortlisted for the Montreal International Poetry Prize 2017, Summer Literary Seminars 2018 Poetry Contest, and the University Centre Grimsby International Literary Prize 2018; long-listed for the Erbacce Press Poetry Prize 2018 and the Red Wheelbarrow 2018 Prize, and nominated for Best of the Net 2018. She has three collections in Bulgarian. Her work appears in Agenda Poetry, London Grip, Trafika Europe, European Literature Network, The Journal, A-Minor, Waxwing, Orbis, Nixes Mate, StepAway, Ink, Sweat and Tears, HeadStuff, Minor Literatures, Writing Disorder, Birds We Piled Loosely, Orbis, Chronogram, Noble/ Gas, Origins, miller’s pond, Obra/ Artifact, Blue Mountain Review, Califragile, TAYO, Shot Glass, Opiate, Poetic Diversity, Pure Slush, Harbinger Asylum, Punch, Tuck, Ginosko, etc. Visit: https://www.facebook.com/MargaritaISerafimova/?ref=aymt_homepage_panel

Untitled, Untitled, Untitled, Untitled, Untitled, and Untitled, Volume 5, Issue 2

Jessica Seaborn

by Suzanna Anderson CreatesJuly 14, 2019

Jessica Seaborn is a Sydney-based writer and the co-creator of The Regal Fox. She has been published in Daily Life, Feminartsy, Umbel and Panicle, The Cabinet of Heed and Milk Magazine. You can find her on Twitter @jessica_seaborn.

And So She Leaps, Volume 5, Issue 2

Maya Alexandri

by Suzanna Anderson CreatesJuly 14, 2019

Maya Alexandri is the author of The Plague Cycle (Spuyten Duyvil 2018), a short story collection, and The Celebration Husband (TSL Publications 2015), a novel. Her short stories have been published in The Forge, The Stockholm Review of Books, Dime Show Review, and many others. Her story, “Ann Noni Mini,” was nominated for a 2018 Pushcart Prize. She is currently a medical student at the Zucker School of Medicine at Hofstra-Northwell and a 2nd Lieutenant in the U.S. Army. For more information, see www.mayaalexandri.com.

Jean and Echo, Volume 5, Issue 2

Daniel Edward Moore–Interview

by Suzanna Anderson CreatesJanuary 16, 2019

Describe your creative space.

I have an office/library space in my home where I do most of my work, along with a place in the living room where after my morning meditation I work on poetry business, social networking, website, revisions and other tasks.

What kind of materials do you use?

I use my laptop mainly, but if I’m at a café or at work and get struck by something, I will certainly grab a pen and paper to keep the ideas fresh and hostage so to speak.

What is your routine for writing?

Early morning after my 4:00 am twenty minute meditation sit, I work on drafts in progress, do multiple submissions, answer emails from editors, read new books of poets I love, and mainly dig in for three hours before my work at the office begins.

How long have you been writing?

I’ve been writing for 25 years.

When did you start writing?

I began writing poetry in 1993.

Who is your intended, or ideal, audience?

I don’t really have a specific audience in mind, unless it is folks who are drawn to work that deals with the politics of intimacy, sexuality, the body, religious and sexual trauma or all of the above.

Who do you write for?

Myself and the world.

What inspires you to write?

My own interior life/mediation experience/other poetry/ and everything I open my mind and heart to in the hope I can always translate that experience back to the world in a fresh and different poetic form

If you are blocked, what do you do?

I have no experience of that. I have Asperger’s syndrome, and a radically obsessive mind that I calmly and fiercely turn to poetry. It’s the same as breathing.

What other things do you do besides writing?

I work out, play guitar and enjoy being a Grandfather and husband.

What is your favorite part of the creative process?

The pure joy of being powerless over what I call having, “the affliction.”

What is your advice to aspiring writers?

Read poetry. Listen to poetry. Find a community of poets and humble yourself to be mentored and loved through the trials and tribulations of poetry’s flames.

Check out Daniel’s work in Volume 5, Issue 1.