Volume 6, Issue 1 is here!

The issue is available here as a PDF.

The optional theme is A Day That Changed Me.

Contributors: Stephen Barry, Susan P. Blevins, Heather M. Browne, JW Burns, R. J. Cardullo, Samantha Chasse, Ranjabali Chaudhuri, Susan Taylor Chehak, Jenny Coates, Mirana Comstock, Heather Cook, Margo Davis, Leslie Dianne, Kristin Kowalski Ferragut, MacGregor Frank, Tom Franken, Carolyn Geduld, Kathleen Gemmell, Brian Glaser, John Grey, Andrey Gritsman, Deborah Guzzi, Benjamin Harnett, Jack D. Harvey, Julia Hatch, Kevin Hogg, Zebulon Huset, Anthony Koranda, Lori Lipsky, Jeanne Lutz, Sean Lynch, Jennifer Makowsky, Delvon T. Mattingly, K. McGee, Bob McNeil, Rachel Medina, Cameron Morse, Louisa Muniz, Marianthi Papadim, Melanie Petrandis, Jenna Pini, John Raffetto, Robin Ray, Marguerite Maria Rivas, David Anthony Sam, Becca Saul, Joe Seale, John Sheirer, Adrian Slonaker, John L. Stanizzi, Wylie Strout, The Rotten Poets, Richard Weaver, Julie Weiss, Thomas Wells, and Bill Wolak.

Reviews: Kind Chemist Wife: Musings at 3 AM by Sarah Bigham, Slide to Unlock: Poems by Julie E. Bloemeke, Skeleton Parade by Mela Blust, a broken exit by Goirick Brahmachari, Escaped Housewife Tries Hard to Blend In by Karen Craigo, Emily as Sometimes the Forest Wants the Fire by Darren C. Demaree, Here, We Bury the Hearts by Dom Fonce, Boys by Daniel Edward Moore, Verses of Realness by Bob McNeil, Love_Is_Love: An Anthology for LGBTQIA+ Teens edited by Emma Eden Ramos, and Ghosts of You by Cathy Ulrich.

The Magnolia Review Ink Award: Becca Saul, “Lines of Me,” chosen by David Anthony Sam.

Mirana Comstock–Interview

Describe your creative space. Do you work at home, in public spaces, etc.? 
As a screenwriter, singer/songwriter and advertising copywriter, as well as a poet, my creative space and process varies for each of those forms of writing. For the purposes of this interview, I will concentrate on poetry. A lot of my creative space for writing poetry is actually between my ears…inside my head. It’s portable, custom made especially for me and always available. The cons? When it breaks down…distraction, lack of sleep or inspiration…there is no tech to fix it. Except me.

It is only at the very last round of working on a poem that I commit to paper…well, actually to screen…on my computer. Usually because I am afraid I will forget it or, if scrawled on the back of some envelope, won’t be able to read my not-so-great handwriting when I return to it. Before that happens, most of the writing leading up to that moment tends to be while walking my two rescue dogs. We live in a seaside town and there is nothing like walking next to the ocean at dawn or dusk to get my head going. That whole alone but not alone thing really works for me. Because I work sitting in front of a computer all day as an advertising copywriter, I also think being in motion, outside, helps to separate it out from work.

My actual in-home creative space is in a former pantry of our late Victorian house. It is furnished with a rolltop desk and the old oak swivel chair that my late grandfather, author Konrad Bercovici, had in his study. The chair is really uncomfortable,  even with lots of pillows to cushion it. But knowing he wrote all those books and stories sitting in it is a whole other kind of comfort. 

What kind of materials do you use? Do you write by hand or type? What is your favorite writing utensil?
When it comes to actually fine-tuning what I have written in my head, I use an iMac. I do love being able to move words and phrases around and trying out alternate versions without having to figure out exactly what I wrote in an earlier session. My handwriting does become somewhat of a scrawl in inspired moments.

What is your routine for writing?
I usually have a poem or two that I am working on in my head and I sort of try them out while walking to see if anything starts to come together. Sometimes I check through my computer poetry file for any unfinished work before heading out. Letting things sit for a while and then coming back to them can really help give you some perspective on your work.

How long have you been writing? When did you start writing?
I actually can’t remember a time when I wasn’t writing. I come from a family of noted multi-field creatives. Painters, singers, sculptors…they all also wrote. Because of this, I remember a teacher one time…I think it was in the third grade…questioning whether family members were writing my assignments. She left me in a classroom, alone, and asked me to write something. I was scared at first, then got sort of defiant about what I could do…and she couldn’t. I ended up writing a poem about a plant in our window communicating with a plant in another window across the school courtyard. They never asked me to do that again. I wish I had a copy of that poem.

Who is your intended, or ideal, audience? Who do you write for?
I don’t really have an intended audience. I guess I mainly write for myself and hope someone else “gets it.” That said, I really do love it when younger generations are into the work. I use a combination of rhyme and free verse…with rhythm and rhyme anchoring the words, phrases and lines. Since rhyme can be considered old school, I like it when the new school or even the still in school appreciate it.

What inspires you to write? If you are blocked, what do you do?
Everything inspires me. The wind at night. A new scientific discovery. An odd juxtaposition of events in the news. I try to let it all in and link with whatever else is already in my head. I don’t think I have ever been truly blocked…maybe less inspired…but not fully blocked. The flow is usually still there. Part of that may come from my copywriting day job. If you write for a living every day, you can’t really allow yourself to be blocked. 

What other things do you do besides writing? Do you dance or play golf, etc.?
I am a singer/songwriter for alt rock duo Theory of Tides, a screenwriter, and a photographer. I consider the later the closest to poetry in terms of catching and holding a moment.  I also love to dance and am a pup parent who spends a lot of time walking, playing with and just loving the pure joy and enthusiasm of my two rescue dogs.

What is your favorite part of the creative process?
When words just kind of flow in without any apparent mechanical action on the part of my brain. Sort of like speaking in tongues or channeling some deep part of myself or my surroundings. That is the ultimate high. Then the work begins.

What is your advice to aspiring writers?
Keep your mind open all of the time. You never know what words, thoughts or images will come on in, make themselves at home…and eventually become a poem, a story, a song.

Check out Mirana‘s work in Volume 6, Issue 1.

Mirana Comstock

Mirana Comstock is an award-winning writer, photographer, and musician. She has won multiple Best of Fest screenwriting awards from international film festivals. Her photographs are in the collections of the 9/11 Memorial Museum and the NY Historical Society, and she exhibits frequently in NY and the Boston area. She has also created national ad campaigns for such clients as Timberland, Seagram’s and JBL. A Juilliard-trained musician, she is currently mixing new music as singer/songwriter/ keyboardist for alt dance duo Theory of Tides. Her work as a lyricist and a photographer’s eye for detail are both strong influences on her poetic voice.

Sailing, Oxygen, Crown Shy, Post Op, and (S)unflowers, Volume 6, Issue 1