Flash Sale!

FLASH SALE! $5 an issue plus free shipping! Click here for more information on how to snag this deal on copies of Volume 4, Issue 1.

Purchase Copies of Volume 4, Issue 1

TMR is here

If you wish to donate to The Magnolia Review to assist with paying for contributor copies, please click Donate here.

If you wish to purchase physical copies of The Magnolia Review, Volume 4, Issue 1, please click here to Purchase One, Two, Three, or Four Copies. Or send your payment through your PayPal account to themagnoliareview@gmail.com. Select Send Money, Pay for Goods or Services. Send the amount for the number of issues you would like, as well as a mailing address.

Or mail your payment to:

The Magnolia Review
Suzanna Anderson
PO Box 1332
Reynoldsburg, OH 43068

(Including Shipping and Tax, $20.13 for one copy, $36.25 for two copies, $52.38 for three copies, and $68.50 for four copies. Please make checks payable to Suzanna Anderson.)

Hilary Sideris–Interview

I write by hand on blank printer paper. I don’t like to write in a nice-looking notebook or with a special pen. I prefer a stubby pencil or ballpoint pen with some bank’s name on it, something that lets me be as messy as I want and lowers my expectations of the product. Even if I think the poem’s not going well, I usually type it up and then try to leave it alone for a few days, so I’ll be able to re-see it.

A desk at a window is good, a random poetry journal to flip through, maybe music in the background if the songs aren’t in English. I can’t do it every day, but I produce about a poem a week, many of which aren’t keepers but contain the seeds of future poems. A walk, preferably in the park, helps me think through the problems I’m having with a poem. Walking allows my mind to untie the knots.

I started writing poems when I was very young. As a teenager, I thought my poems were songs that should be set to music. (I didn’t know about contemporary poetry.). But I failed to find anyone willing to set my songs to music, mostly because they were terrible.

My audience is anyone who enjoys poetry – a small but high-quality audience. I don’t write for myself, but I love being in the trance-like state of composing. Opening an acceptance email is always euphoric. The hardest thing for any writer, I think, is the ongoing rejection. You have to decide at some point if you’ll be more miserable if you give it up or if you keep at it, knowing the rejection letters will never stop arriving, but that your best work will reach some readers and move them.

Check out Hilary’s work in Volume 4, Issue 1.

Hilary Sideris

Hilary Sideris is a Greek/Irish American poet. Sideris spent the first 21 years of life in Indiana, in a ranch-style house on the edge of a trailer park. She has published four chapbooks and two full-length poetry collections, Most Likely to Die (Poets Wear Prada 2014) and The Inclination to Make Waves (Big Wonderful 2016). Sideris lives in Brooklyn and works as a professional developer and curriculum writer for The City University of New York’s CUNY Start program. Sideris has a BA in English literature from Indiana University and an MFA from the University of Iowa Writers’ Workshop. She speaks Italian and grows tomatoes on her fire escape.

Rockaway and Yuletide, Volume 4, Issue 1